6.11.2024, 18:00, Maxx 5
EN UT + Q&A
7.11.2024, 12:00, Maxx 2
DE UT
9.11.2024, 16:45, Maxx 1
EN UT + Q&A
10.11.2024, 14:30, Kino Cameo
DE UT
Discover national short filmmaking in the Swiss Competition. We also invite audiences to join us for the Award Ceremony on Sunday – watch live as the jury honours the best films of this year’s festival edition.
Silent Mode
Elias Bötticher / Switzerland 2024 / 16'10" / colour / German / Fic
A flood buzzes through Nara's boyfriend's phone and fills the space between them with dissonance. A fishing trip reveals that even in silence, their bond is gone. After witnessing an act of primal violence, Nara fills her personal solitude with excess and reclusion.
Il grido del populismo
Julius Lange / Switzerland 2024 / 15' / colour / Italian / Exp/Doc
Intellectuals promise political change in Italy, offering clear visions and new hope. But their realization comes to an abrupt end, like a filmstrip that breaks. A reactionary government is born, based on hegemonic narratives. What once flourished is now instrumentalized and distorted by the cry of populists.
Sans voix
Samuel Patthey / Switzerland 2024 / 14'47" / colour / no dialogue / Ani
Dan spends a lot of time in his flat, accompanied by constantly pumping electronic music. When he steps outside, he feels disconnected from the world and only finds solace in nightclubs. With techno music and drugs, he can be himself and feel free. One day, he encounters the gaze of a baby that changes his perception of the world.
Haftpflicht, the Band
Lars Mulle / USA/Switzerland 2024 / 9'23" / colour / Swiss German/English / Fic
A singer grieves the loss of his guitarist.
Not Exactly a Still Life
Johannes Binotto / Switzerland 2024 / 4' / colour/black & white / English / Exp
There's a famous film about the drive to repeat and reproduce lost things and about the failure to do so. What would it mean to repeat the images of this film with the help of AI – but as disturbing dreams rather than an exact replica? We begin to imagine a new film within the one we know. AI gives us back the history of cinema – as an uncanny double.
Heroine - Necessary Objects
Liza T. Raheem / Switzerland 2024 / 13'22" / colour / Swiss German / Doc
A portrait based on objects. The filmmaker goes in search of traces of her deceased sister. In the process, fragmented memories meet material things. A journey into a world in which absent people are also allowed to be present.