The films in Willy Hans’s trilogy «Das satanische Dickicht» («The Satanic Thicket») feature a dark and mysterious world, where the supernatural encounters the mundane. Hans creates a unique and captivating atmosphere of somber beauty that immerses audiences in a realm full of secrets and unimaginable horrors. A thrilling masterpiece of short filmmaking that lingers in viewers’ minds long after the closing credits have ended.
The chicken is slaughtered, the song is sung, the lake is crossed, and the hitchhiker never knew where she was heading in the first place. One thing is for certain: It's no easy task to try and understand other people.
Otto and Ulrike are running an organic farm that employs people with disabilities. And Jakob works there as part of his reintegration after spending time in juvenile prison. Things take a toll on Otto, who struggles to manage all his tasks. When Ulrike's coffee cup breaks on the kitchen floor, something dark breaks loose.
First, the rubber crocodile disappears. Then, Fernando, the rabbit, is suddenly gone. Also, someone forgot the sandwiches on the kitchen table while someone else's football is stolen by some teenagers. Finally, the medieval folks show up and straighten everything out. And yet, enigma and chaos are pervasive.
Willy Hans was born in Freiburg in 1982. In 2009, he began his studies at the HFBK University of Fine Arts Hamburg, where he made several films, including «Der fremde Fotograf und die Einsamkeit» (2012), which screened at multiple festivals. «Das satanische Dickicht – Eins» is his graduation film, which he has since expanded to a trilogy. Currently, Hans is working on his first feature-length film.
Willy Hans has developed a unique style characterized by his love of experimentation and a talent for blending genres. His films surprise viewers with unexpected twists and intriguing image compositions. He doesn’t shy away from unconventional narrative structures and unusual perspectives.
Since 2014, Willy Hans has also been part of a collective with Paul Spengemann, Jan Eichberg, and Steffen Goldkamp, who were fellow students at HFBK Hamburg. The four are by no means a conventional production collective. Instead of striving for control, they like to explore the limitless possibilities of a continuous exchange of ideas, collaborating in a variety of forms.
Kurzfilmtage is showing Hans’s trilogy «Das satanische Dickicht» («The Satanic Thicket»), which features a dark and mysterious world, where the supernatural encounters the mundane. In addition to their impressive visuals and high production values, these shorts stand out for the unique atmosphere that Hans creates. Their somber beauty captivates audiences, immersing them in a world full of secrets and unimaginable horrors. A thrilling masterpiece of short filmmaking that lingers in viewers’ minds long after the closing credits have ended.
The second programme is dedicated to the collective Spengemann, Eichberg, Goldkamp, Hans, whose members appear in different functions – director, cinematographer, screenwriter, etc. – across the six shorts. Both screenings are accompanied by a conversation with the filmmakers, and a 90-minute Master Class with Hans and other members of the collective will be held on Saturday.
Das satanische Dickicht
Willy Hans was born in Freiburg in 1982. In 2009, he began his studies at the HFBK University of Fine Arts Hamburg, where he made several films, including «Der fremde Fotograf und die Einsamkeit» (2012), which screened at multiple festivals. «Das satanische Dickicht – Eins» is his graduation film, which he has since expanded to a trilogy. Currently, Hans is working on his first feature-length film.
Willy Hans has developed a unique style characterized by his love of experimentation and a talent for blending genres. His films surprise viewers with unexpected twists and intriguing image compositions. He doesn’t shy away from unconventional narrative structures and unusual perspectives.
Since 2014, Willy Hans has also been part of a collective with Paul Spengemann, Jan Eichberg, and Steffen Goldkamp, who were fellow students at HFBK Hamburg. The four are by no means a conventional production collective. Instead of striving for control, they like to explore the limitless possibilities of a continuous exchange of ideas, collaborating in a variety of forms. Kurzfilmtage is showing Hans’s trilogy «Das satanische Dickicht» («The Satanic Thicket»), which features a dark and mysterious world, where the supernatural encounters the mundane. In addition to their impressive visuals and high production values, these shorts stand out for the unique atmosphere that Hans creates. Their somber beauty captivates audiences, immersing them in a world full of secrets and unimaginable horrors. A thrilling masterpiece of short filmmaking that lingers in viewers’ minds long after the closing credits have ended.
The second programme is dedicated to the collective Spengemann, Eichberg, Goldkamp, Hans, whose members appear in different functions – director, cinematographer, screenwriter, etc. – across the six shorts. Both screenings are accompanied by a conversation with the filmmakers, and a 90-minute Master Class with Hans and other members of the collective will be held on Saturday.
The programme of the 28th Kurzfilmtage will be released on 16 October 2024.
Short Films
A short film is not just a shorter film. Shorts are a distinct art form, which we showcase at our annual festival.
Short films come in all shapes and genres, and how long – or short – they are, varies quite a bit. Simpler production processes allow filmmakers to capture the zeitgeist and quickly respond to trends. Shorts can be entertaining or surprising, they can analyse society, take a political stance, or offer glimpses of worlds unknown to us.
We compile our short films into thematic programmes or specific sections, such as our competitions, paying close attention to the selection and sequence of films in each programme. All you need to enjoy short films is an open mind for new discoveries and surprises.
The Festival
Internationale Kurzfilmtage Winterthur is Switzerland’s major short film festival. For six days every November, we transform the city into a dynamic short film hub.
Kurzfilmtage offers discoveries for everyone: our thoughtfully compiled thematic programmes address current events or topics that our curators are passionate about. The competition programmes showcase the latest filmmaking from around the globe, while installations, performances, and other specials highlight the diversity of audiovisual forms. And a programme of special events including concerts, readings, and more enhance the festival experience.